Tuesday, January 13, 2009

Juakali

"Revolution Now" Single Promo



hitmemusic.com







"Hit Me Music releases the reggae anthem "Revolution Now" from the debut album Breakground by JuaKali. "Revolution Now" celebrates community as a foundation for justice and peace. JuaKali’s powerful voice reflects the energy he brings to live performances all over the world.

"JuaKali is on the forefront of reggae, jungle, and dubstep music. Currently, Juakali enjoys an established global touring presence and holds performance residencies at music events Sub Swara and Dub War in New York City."

Thursday, November 13, 2008

Breakground EP Copy on Fliers

Juakali


Promotional Flier, 2008



Providing continuing value for client Juakali, the text of the Breakground EP appears on his latest piece of promotional material. Shown here, the flier captures the attention of fans and calls them to find out more about the release.

Sunday, November 2, 2008

Breakground Press Release - ELL


JuaKali


Breakground EP


Gunjah Records/Foreign Familiar












This version of the Breakground Press Release has improved readability for use in English Second Language countries or with English Language Learners. The editing methodology addresses vocabulary and syntax. Because Juakali is an international artist, a second version helps to communicate across language barriers and Englishes to secure international press coverage.



Contact

info@foreignfamiliar.com

Links

foreignfamiliar.com
myspace.com/juakali

Finally, a featured release by one of America's pioneering voices in all dub and bass music categories.

Producer and vocalist JuaKali impresses both industry and audiences across dub, reggae, dancehall, bhangra, electronic, and experimental music styles. His first solo release, Breakground, on Gunjah Records/Foreign Familiar shows the tremendous range and energy JuaKali brings to live shows all over the world. With producers Badawi, Secret Agent Gel, Shamaji, and Syncro, Breakgound brings together JuaKali's fresh international style with dub, dubstep, and electronic genres. JuaKali makes political comments and promotes harmony.

The first single from Breakground, 'Revolution Now', calls for change in a new way: it celebrates community and cooperation as the roots of justice and peace. Drawing on over fifty years of history of dub music, the track is for many types of fans. It brings together classic skank, dub riddem, and bass melody with current samples, echo and effects. The vocal track masterfully balances analog warmth and digital edge. With a DJ-friendly format, this track excites dance floors all over the world!

JuaKali lives Brooklyn, but was born in Trinidad. He has traveled the world in recent years working with cutting edge artists and performing. In 2006, after his FIFA World Cup performance, EGO Magazine called JuaKali an artist "on the forefront of the Reggae, Jungle and burgeoning Dubstep scene in the US and around the world." Since then, JuaKali joined on tracks from Alpha & Omega, Raz Mesani, Pinch, Dub Gabriel and others. JuaKali is a host and resident at the premier dubstep event in the US, Dub War, in New York City. The New York Times reviewed this event in print in January of 2008. JuaKali also brings his talent to Sub Swara, another leading DJ/performance hybrid night based in NYC.

• Tour dates planned in support of the new album


For more information, promo requests, or interviews, please contact:

info@foreignfamiliar.com

Links

foreignfamiliar.com
myspace.com/juakali

Thursday, October 30, 2008

Tuesday, October 28, 2008

sodahurts.com

sodahurts.com


2007


The client wanted a web site that challenged young people to look at their soft drinks and ask is there anything in here that I actually need?

This was a fun site to develop, and I used a graphic designer who works on club fliers and youth oriented fashion to execute my design ideas. The inspiration was acid green and toxic bubbles.

Live Concert Review, 2007

Dr Das v Dhamaal Sound System




Elbo Room, San Francisco, March 2007

For their recent collaborative project, Dr Das, Sukhawat Ali Khan, Janaka Selekta, and Ramjac draw from a rich chronology: Past is represented in sampled sounds and live classical elements, Future is reflected in the expert and judicious on stage use of Information Age technology tools, and Present is in the conversation of the artists with their immediate audience. Dr Das writes bass melodies that make low frequency animate and engaging. The thematic choices made by Janaka relate a political and social undercurrent that creates a positive feedback loop with the collective audio subtext of the group. Ali Khan and Ramjac add highly skilled expertise in their respective instruments of choice with both precision and improvisation. They collectively understand that a positive future will neither resemble nor be an antithesis to tradition. As a soundtrack for the future, their work is based on holistic progress that respects the past. They achieve this by deconstructing and complimenting classical audio elements through digital mediation to render tradition immediate and relevant to a contemporary audience that is constantly moving forward in time.


Together, they compose pragmatically optimistic foundations for live and recorded future work. However, their creative focus is the improvisation, energy, and inspiration of live performance. This is the best way to experience this collaboration. It is extremely rare that a cutting edge live concert has the arc of theatrical narrative and the impact of social awareness. These ideas are communicated through a show in three acts. First, Sukhawat playfully engages the audience in with light classical phrases. This is the context though which the audience grasps the second act, the live performance of Dr Das' latest release, Emergency Basslines. Finally, all artists come to the stage for a dynamic improvisational conversation with each other and the audience. Covering Past, Future, and Present, this package is one of the best values in live entertainment, drawing a diverse audience into a cohesive community that will return again and again for the live experience.

Emergency Baselines is a philosophy set in sound, an auditory theory for global progress. The militancy in the texture of the sound is a reflection of the precision digital tools used to express a disciplined multi-national conversation about the future. The crew employs novel technologies to craft musical localities that are also temporal spaces, reflective of the phenomenology of Web 2.0 communities where abstract space is the image of socialization and community. The hope is that the Past can be selectively used to make relevant the relationship between our traditions and the (virtual) realities of our Information Age experience. This notion is sent flowing through thoughts and bodies on low frequency vibrations that are loaded with solid DUB noise grooves and phrases. With sounds foreign and familiar, anachronistic and forward thinking, the musical collaboration seeks to construct a hopeful vision for global collaboration. They prove that this can be facilitated through technological innovations in communication across generations and cultures in an entertaining way. The compositions are stories about tradition, tools and ownership that ask the listener to realize and join a cohesive vision of collaborative cultural stewardship.